6/20/2023 0 Comments Mach hommy full discography zip![]() ![]() (Haitian Body Odor) was released by Griselda that year. Mach-Hommy appeared on Don't Get Scared Now, a 2016 EP by Westside Gunn and Conway of Buffalo's Griselda collective, and his full-length H.B.O. His little-heard first mixtape, Goon Grizzle, originally appeared in 2004, and numerous releases surfaced during the early 2010s, including the 2013 full-length F.Y.I. Mach-Hommy hails from Newark, though he has also lived in Port-au-Prince, Haiti's capital city. 2021's masterful Pray for Haiti became Hommy's most widely heard and acclaimed album to date, and the shorter but similarly focused Balens Cho (Hot Candles) followed later in the year. emerged as cult favorites, and collaborations with the likes of Earl Sweatshirt, DJ Muggs, and the Alchemist expanded his profile. Nevertheless, he earned a dedicated following, as under-the-radar releases like 2016's H.B.O. He is highly protective of his art, forbidding lyric sites to post transcriptions of the words to his songs, and he charges hundreds and even thousands of dollars for his releases, most of which aren't available on streaming services. His dense, tightly wound lyrics, loaded with deadpan one-liners, are heavily related to the social and political history of his Haitian heritage - he often raps in Kreyol and a Haitian flag folded into a bandana obscures his face nearly every time he is photographed. But it also serves as a companion piece to both Mach and Earl’s larger catalogs, continuing old threads and hinting at directions either one might pursue in the new year.New Jersey-based rapper and producer Mach-Hommy became a cult figure through his tireless work ethic and the sheer quality of his work, as well as his elusiveness. ![]() It exists, on one level, as a clean, distilled 22 minutes of exceptional rap music. And that’s where the EP succeeds so beautifully. Structurally, Fete Des Morts frees Hommy to try a quick series of different ideas: a Twitter-nodding crime vignette on “Manje Midi,” a modern-day “Les Mis” on “THEJIGISUP.” The themes he explored in such depth on HBO-familial honor, the weight of tradition-reappear here mostly through implication, while the writing is more overtly concerned with naturalistic, often grim details. There are also stark, fascinating diversions: “Embarrassment of Riches,” which is produced by Navy Blue rather than Earl, opens with an extended bit of singing, before transitioning back into razor-tongued raps. He’s more likely to pick up a narrative thread for an extended period, or to start writing in discursive lines, filled with the pronouns and prepositions. The comparisons to the vaunted half-revivalist Roc Marciano are not unfounded, but Hommy is a more unpredictable writer. It’s tempting to classify huge swaths of East Coast rap from this decade as post- Marcberg, full stop. (There’s even an exultant airhorn at the beginning of “Bridge of the Water G-d.”) The artists’ partnership, then, is compulsively listenable: acrobatic writing over no-nonsense beats by another verbose MC, who knows where to leave the crevices. Earl’s beats are uniquely post- Dilla in their treatment of vocal samples and in his affinity for warm tones cut by jagged textures. Songs flow seamlessly into one another the 70-second exhale of “Henrietta LAX” gives way to “TTFN,” which itself abruptly stops for Mach to mock “social media metrics” and let off a gunshot. Songs unfurl slowly: “1080p” has a 60-second prelude before its first verse, but once he starts rapping, he goes in fits and starts, lamenting that “nobody love you when you alive,” remembering how his friends blanched at how seriously he took The War Report.īy contrast, Fete Des Morts feels like a series of contained exercises. Its cover is a portrait of Michéle Bennett, the former Haitian first lady who fled the country in 1986 Hommy litters his writing with the relics of French colonization, class revolt, and Giuliani-era New York. HBO is a remarkable record, dense and patient. His major work is Haitian Body Odor, an LP he sold directly to fans through his Instagram DMs last year, before finally putting it online for free this March. The New Jersey-based Hommy was briefly affiliated with the Conway- and Westside Gunn-helmed Griselda Gang, but has since splintered off into his own section of the genre. (On his Bandcamp, the record is credited, confusingly, to DUMPMEISTER.) Fete Des Morts is a compelling look at Earl’s influences and instincts behind the board-including a soul bent that bypasses turn-of-the-century Roc-A-Fella-but it transcends because Hommy uses it as yet another venue to argue for himself as one of the East coast’s finest working rappers. ![]() For his latest effort, the $111.11 Fete Des Morts AKA Dia De Los Muertos, Mach-Hommy taps Earl Sweatshirt for beats and dives back in. ![]()
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